Danny
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Posts by Danny
Don’t Be That Guy
Mar 9th
The 90’s cult-classic PCU put a name to a well-known concept: “That Guy.” Jon Favreu is a metal head who’s excited to see his favorite band play. So excited, in fact, that he’s wearing his shirt with the band’s logo on it. Jeremy Piven notices this and says “You’re wearing the shirt of the band you’re going to see? Don’t be that guy.” And these, my friends, are words to live by. But how do you know if you’re exhibiting T.G. behavior? To be safe, here are a few things to avoid:
1. If you’re over 50 or under 13, it’s OK to wear the band’s shirt to the concert. If you fall anywhere between those ages, avoid this pit-fall at all costs.
2. It’s ok to sing along quietly to yourself. Screaming the lyrics and pointing at the band while they play is not only annoying, but it makes you look like an axe murderer.
3. Don’t show off your tattoo of the band. Usually this involves wearing a sleeveless shirt of some kind, and unless you came to the concert straight from football practice, there is now reason to do this. And it’s gross. Cut it out.
4. Don’t talk to strangers at the show about the band. You will start talking about what a big fan you are and it will inevitably turn into a pissing contest that only you are pissing in.
5. And for the love of God, don’t yell out song requests. In my decades of concert going, I’ve never seen a band take a request from a shouty guy who drank 6 Jack and Cokes. Plus, you’re always yelling the name of a song they are definitely going to play later in the show anyway.
So for the greater good, you guys, I beg you to not be “that guy.” See it as a common courtesy for the rest of us and for you. We can enjoy the concert and you won’t be universally hated. Cool? Cool.
VENUE REVIEW: The House Of Blues Sunset Strip
Mar 8th
The House of Blues Sunset Strip is a nice concert venue that wants you to think it’s not. It’s a one of the few well-maintained venues (hell, buildings) on Sunset, yet they find a way to make their shows feel like they’re happening in an underground rock club. But how does the House of Blues stack up against other venues? Let’s find out.
1. Size
The size and lay out of the HOB puts the concert-goer in an odd position. The floor is small and packed with people — which is good if you want to feel like you’re at a real rock show but bad if you’d like to just kick back and have a ($12) beer. Even when standing in the areas surrounding the floor, I never feel like I’m not mashed right up against somebody else.
2. Sound
The sound guys know what they are doing. The levels are always good and the PA system is top-notch. If only they could lower the sound of the drunk guy next to you hitting on a variety of uninterested women…
3. Cleanliness
This place is clean but looks dirty, so you don’t feel like too much of a sell-out seeing a show here. I’d liken it to seeing a concert on Tom Sawyer’s Island at Disneyland. It’s got lots of fake rotting wood everywhere, but you know a diligent and underpaid cleaning crew scrubs it down every night.
4. Bands
If you’re a fan of good punk rock or low-level radio rock music, the House of Blues is perfect. It’s because the HOB is a happy middle ground where an established punk or ska band can pack it no problem, and bands that are just getting popular on the radio can get their feet wet. If you’re looking for bigger touring acts or coffee-shop intimacy, however, this isn’t for you.
Overall grade: B+
The House of Blues isn’t the most comfortable place to see a show, but it does make for an exciting underground feel (even if its manufactured… which it is).
Jimmy Kimmel Live: The Most Underrated Live Music Experience In Los Angeles
Mar 5th
Seeing live music in Los Angeles is an expensive endeavor, but sitting right in the heart of Hollywood is an inexplicably well-kept secret for seeing great live music: The “Jimmy Kimmel Live!” outdoor concert stage.
Seeing a taping of Jimmy Kimmel Live is free, and to get in, all you have to do is reserve tickets online and wait outside the show for about an hour. Once you’re in, you’re treated to music by some of the world’s biggest musical acts and even at maximum capacity you’re never more than 100 feet away from the stage (so it still kind of feels like an intimate performance). In the past few years, I’ve seen bands on that stage like No Doubt, Green Day, Kanye West, Neil Young, The Mighty Mighty Bosstones, Stone Temple Pilots, Modest Mouse, and Slayer – just to name a few.
The bands that play outdoors always do two songs “on air” for the show, and usually do a few more after that just to thank the crowd for coming out to watch. If you’re lucky, on rare occasion a band will play a full-on set (I’ve seen both The Arctic Monkeys and 50 Cent do this very thing.)
The show also has a lobby stage, which is much more intimate. You aren’t always treated to extra songs when a band plays on this stage, but if an artist you really like is playing, it’s like watching them perform in your living room (and you don’t have to clean up rock-star vomit afterward).
You can check out the concert schedule and get tickets at 1iota.com; and really, you should.
SHOW REVIEW: The Toasters At The Cobalt Café
Mar 3rd
When I heard that the legendary ska act, “The Toasters,” were going to be playing at a coffee shop in the Valley, I knew I had to check them out. The circumstances were just too weird to miss.
The venue itself was odd – The Cobalt Café is sort of a coffee shop and sort of a concert venue, but it’s closer to an elementary school multi-purpose room than anything else. It is barren and dank, which is not a knock on the place at all, I just find it interesting that a place like the Cobalt even exists in the Valley. An unassuming all-ages punk rock club sandwiched in between two restaurants on Sherman Way. Pretty cool if you ask me.
The Toasters hit the stage with little fanfare. They just slowly assembled on stage, Bucket said hello, and they launched into a block of crowd favorites including “2-Tone Army” and “I’m Running Right Through The World” among others. And while the set list was great, I couldn’t help but notice the band’s unfortunately slimmed-down line-up. They were without a keyboard player and, more noticeably, someone to “toast” (ironically). While Bucket is a reliable front man, he’s not terribly interesting. I think the flavor and the swagger the Toasters are known for, comes from the rapping/toasting verses in their songs; the current line-up of the band, literally skips over these parts of the songs. The result was that every song seemed 2 minutes too long and the set felt rigid.
While I did have a good time at the show, and it was fun to hear all my favorite Toasters songs loud and up close, I think I’m subconsciously pretending I saw a Toasters cover band on Friday night and that the real band is touring out there… somewhere.
I’m Worried About Seeing The Specials
Mar 2nd
As a huge ska fan, an interesting problem has arisen for me. After a lifetime of worshiping The Specials, a band that broke up before I was even born, the ska legends have reunited for a tour. As you might imagine, I was thrilled when I heard this news. Seeing The Specials live has been something I’ve always fantasized about and now it’s actually happening. It’d be like if you were an American history buff and you heard that Abraham Lincoln was not only back from the dead, but that he was not a murderous zombie creature and he was going to be doing the Gettysburg Address at Club Nokia in April. You’d be stoked right? Ok, you get it.
But then I started to think… what if they’re rusty? What if those bootleg mp3s I have of them playing at a London pub in 1979 outshine seeing them live in person? Will it be depressing if my concert-going life has led up to this moment and I leave the show thinking “meh, at least they played Ghost Town?” Yes, it will be.
So I broke one of my cardinal concert rules – I watched footage of a band I’m going to see soon playing live on YouTube. Doing this takes away the element of surprise and excitement when you see the show , but I had to know. I felt like a suspicious girlfriend going through her cheating boyfriends emails… I didn’t care what I found I just had to know.
But luckily, what I found was very good news. I watched a version of “Do The Dog” from their Brixton Academy show and it sounded great. So great that I found my self dancing a little bit in my office chair until my coworkers noticed. I had to stop myself there or I knew I’d find a set list and watch a whole show on the internet. But for now my nerves are calmed.
The only thing I’m worried about now is figuring out how to pass the next month and a half until that damn Club Nokia show.
SHOW REVIEW: Kina Grannis Album Release Party
Mar 1st
Even though you may have never met Kina Grannis, you might feel like you know her from somewhere. With the help of Doritos and an army of online voters, she was selected to have the video for her song “A Message From Your Heart” played during the 2008 Super Bowl and to be signed by Interscope records for a multi-album recording deal. She found, however, that as a small (yet talented) fish in a major label pond, she was better suited to find her way by booking her own gigs, producing her own music, and using love and attention to amass her ever-growing and devoted fan base.
This past Saturday night, she celebrated the release of her new album “Stairwells” at the Dakota Lounge in Santa Monica. A few hundred people packed into the tiny club to wish Kina well, sing along, and enjoy cuts off her new record. If you haven’t heard Grannis’ music, I’d describe it as uplifting and introspective, painful and hopeful, and without fail the kind of music you can’t help but smile at. Watching Kina play live (and listening to her talk between songs), you really see that she’s a genuine person playing genuine music. These songs are her life and she is eternally grateful you want to listen to them.
During the course of the show Kina played crowd favorites like “A Message From Your Heart” and her new single “Valentine,” and gave VH1 Storytellers treatment to newer tracks like “Mr. Sun” and “The Goldfish Song.” She also took the time after her set to talk to a long line of fans and autograph every copy of “Stairwells” that was put in front of her. This polite young girl from Orange County cracked the Top 25 albums on iTunes this week without the help of a record company or radio stations, and last night’s show proved why: Kina Grannis is very good at what she does and she cares about those who care about her.
Find out what all the buzz is about – download “Stairwells” on iTunes and watch out for tour dates at kinagrannis.com.
INTERVIEW: Dust Bowl Cavaliers Put The Cool In Bluegrass
Feb 24th
In a town like Los Angeles, it’s rare you hear the sentence, “there’s this bluegrass band you have to see” …chances are if you do, it’s in reference to The Dust Bowl Cavaliers. Admittedly, I’ve never been a huge fan of country or bluegrass music, but the DBC’s are that special breed of band that you can’t help but love. I dare even the most too-cool-for-school indie rock fan to see these guys live and not tap their leather pointy-toed Italian import shoe to the beat.
I talked with Dust Bowl Cavaliers’ upright bass player/singer Matt Young and guitar player/singer Mark McConville about their self-proclaimed “6 man hot-damn hootenanny.”
1. Is it hard being a bluegrass band in a city filled with hipsters and rock n’ roll?
YOUNG: Not really. We’re usually received pretty well by that crowd – I think it’s largely because we are different. I’ve found that there are a lot of closet roots music fans in LA and they come in all shapes and sizes.
MCCONVILLE: There’s actually a pretty great roots/Americana scene in LA. I think that if music is good, people will listen regardless of genre. Obviously, we’re probably not gonna play traditional pop and rock venues like the Roxy or Key Club, but we have managed to cultivate a pretty good following.
2. You guys do great cover songs. You even did a full tribute album to Tenacious D. How do you choose a song to cover?
MCCONVILLE: They just sort of happen. We’ll pitch songs to each other and try them out.
YOUNG: CMH Records hired us to do the Tenacious D record after they heard our covers of Flaming Lips’ “Yoshimi” and “Take it on the Run” by REO Speedwagon. CMH has a whole line of bluegrass tribute CD’s called the “Pickin’ On…” series, and they find different bands to record whatever artist they’re covering.
3. Is there a band you would love to cover but haven’t yet?
YOUNG: I’d like to do the Pixies’ “Here Comes Your Man”. I’ve always wanted to cover a whole album for a show, too. Revolver or Badmotorfinger or Armed Forces or something like that, track for track, but bluegrass style.
MCCONVILLE: For years, I’ve been threatening to arrange a Whitney Houston medley. This is not a joke. I think a lot of her stuff would be fun if arranged for a bluegrass band. I never seem to get around to it. Maybe one of these days.
4. What’s been your favorite show you guys have played?
YOUNG: My favorite show was at Mississippi Studios in Portland a few years ago on our West Coast tour. The place is a real listening room with a great stage, great sound, and a great, friendly staff. We were surprised at how many folks showed up to hear us play so far from LA. We played really well that night and made a lot of new fans. The night before, we had played for ONE person in a pizza place. Yep – one person. Ups and downs.
MCCONVILLE: For me, we played a show at Molly Malone’s a few years back after a quirky variety show called Wizard Finger. Sword swallowers, gymnasts, fire dancers, crazy monologues, then us. The crowd was very excited and riled up and kept asking for encores. That was a moment where I realized that we really had something with this band. If memory serves, we ran out of songs and had to do a few a second time. More recently, our shows at Hotel Cafe have been very rewarding. That’s a great venue.
5. What do you consider when putting together a set list?
MCCONVILLE: It’s an interesting problem for us, as all the guys in the band sing lead vocals on a couple of our tunes. So the boring, practical answer is that we try to rotate the singing duties. The venue will often determine our sets, too. In a more intimate venue, we’re much more likely to play some slower softer stuff, or some newer stuff. But a bar crowd just wants to drink and have a good time. Usually, we can provide a pretty good uptempo soundtrack for such a thing. Mostly, we just play the tunes that we like and hope the audience likes them too.
6. Is there a “nerdy” instrument in bluegrass? I bet it’s the mandolin.
MCCONVILLE: Truly, the genre itself leans more toward nerdy than cool. There’s not a lot about bluegrass that is hip or modern. It’s a tradition-based genre, so there’s not a lot of cutting-edge, trendsetting going on. I just concentrate on playing music that I enjoy and let other people decide whether or not it’s cool.
YOUNG: It’s the mandolin.
7. What is the best part about being in a bluegrass band? What’s the worst part?
MCCONVILLE: The fact that we’ve been a band for this long and have been able to play around LA is fantastic. I love the fellas in the band, so the friendship is certainly one of the best things. Personally, it has forced me to become a better musician, which is a definite perk.
The tradition of bluegrass is a double-edged sword. There are traditionalists that would argue we aren’t a bluegrass band at all in that we plug our instruments in and play rock covers. It hasn’t been a major issue, but when it comes up, it’s not always fun to deal with. We just play what we like the best way we know how. We ride the line between honoring tradition and just doing our thing.
YOUNG: For me, the best part is getting a crowd really worked up. When people are rocking out to this music that’s nearly a century old, with big smiles on their faces, there’s just nothing like it. The worst part? I don’t know – counting all those piles of money sometimes wears me out.
8. If people have never heard your band before, what’s the best “starter track” for them on iTunes?
MCCONVILLE: I think our song “Lay You Down” is a great original tune that sums our band up pretty well.
YOUNG: “What is a Man?” or “Lay You Down”
9. Complete this sentence, “The Dust Bowl Cavalier will be the first band in history to…”
YOUNG: …become the first female President of the United States.
You can find tour dates and music by the Dust Bowl Cavaliers at myspace.com/thedustbowlcavaliers.
VENUE REVIEW: Keeping It Classy With The El Rey
Feb 23rd
The El Rey is one of the classier places to see a show in LA. An art deco theater located in the Miracle Mile, The El Rey definitely has a cool vibe about it. But could The El Rey beat up another venue in a street fight? Let’s find out.
1) Size
The size of the El Rey is perfect. Big enough to not feel cramped, but small enough to let you feel intimate with the band. (Not in a sexual way… unless you’re into that kind of thing… which you shouldn’t be).
2) Sound
The El Rey’s sound quality is fantastic. I’ve seen full bands play here (Mike Ness and his blue grass band) as well as single artists (just Billy Bragg and his guitar) and they’ve all sounded like they were mixed in a recording studio. Even that weird guy you knew in college who paid $1000 for headphones would be happy here.
3) Cleanliness
Many venues smell like a Jr. High locker room. The El Rey, however, keeps it clean and classy. So clean, in fact, that they rent the place out for weddings on the weekends, which is really saying something. Have you seen “Bridezillas?” Those chicks don’t mess around.
4) Bands
While The El Rey does get some great bands to grace that stage, it seems they try to avoid any bands that would elicit a mosh pit. I don’t hold this against them, however, because my definition of a night on the town doesn’t always include blunt force trauma.
Overall grade: A-
If you can find a band you like playing at The El Rey, you will almost certainly have a great evening out. To Los Angeles, it is the distinguished gentleman of concert venues, ready to knock out many other venues flat on their face.
How To Save A Few Bucks On Concerts
Feb 22nd
Concert prices have rapidly snuck up on us. Between Ticketmaster fees, parking, and drinks, what starts as a $20 ticket often turns into a $70 evening on the town. Here are a few tips to save money when seeing a show in Los Angeles.
1) Buy tickets at the venue
You can buy tickets to a lot of concerts directly from the venue’s box office, which saves you the Ticketmaster fees. Swing by the venue on a weeknight after work – you won’t have to wait in long lines and parking will be easy.
2) You don’t always have to pay to park
Most venue-adjacent parking structures charge you around $15. Don’t give in! If you don’t mind walking half a mile you can often find free street parking or a cheaper lot.
3) Get drunk before you go
Venues will charge you $12 for a beer that costs less than $2 at a liquor store. If you don’t want to drink thug-style on the curb out of a brown paper bag, most venues have restaurants and dive bars close by. A little research and exploring can scare you up some cheap booze before the show.
A real-life cheap night example:
I recently saw the Gaslight Anthem at Henry Fonda. I parked at Hollywood and Highland (cheap if you get validated at Starbucks). I walked a mile to the venue (also a one-stop ride on the subway). I got a beer and a shot at the iO West theater bar ($10 total), and bought my ticket for the show at the door for $20 cash. Full evening cost MY way: $33. Full evening cost THEIR way: $71. I’m no mathematician, but I think I won this one.
We live in an expensive town, but if you’re smart, concert-going doesn’t have to be that way.
How do you save dough? Tell us what your concert saving tips are!
Streetlight Manifesto Announce Cover Album Track Listing
Feb 20th
Cover albums can be amazing if they’re done correctly. Most of the time they’re not, but ska bands have had a good track record of producing interesting takes on old classics that don’t always come from their genre. The cover album Reel Big Fish put out last year was a solid effort, and Madness’ “The Dangermen Sessions Volume 1” was some of their best work since their early years. But I don’t think I’ve more hotly anticipated a cover album than the first volume of Streetlight Manifesto’s “99 Songs Of Revolution” series that is set to release March 16th.
I first saw Streetlight Manifesto two years ago as Less Than Jake’s opening band at the Wiltern. About 10 seconds into their first song, I realized these guys are not an opening band – they’re the main event. They are loud, fast, catchy, extremely proficient on their instruments, and above all, passionate in the way they play. Every member of that band goes for it on stage, and this really comes across on their records as well.
So, you can imagine my excitement when they announced the track listing for this record. They cover bands that you might expect a ska-punk band to cover – NOFX, Bad Religion, The Dead Milkmen and the like. But what really interests me is how they’ll interpret songs by Radiohead, The Postal Service, and… wait for it… Paul Simon. I can just imagine what their cover of “Hell” by the Squirrel Nut Zippers is going to sound like, and that alone was enough to get me to pre-order the album. If you’d like to do the same, you can do so at theriscstore.com.


The 90s Take Over Los Angeles
Go See Ted Leo & The Pharmacists This Saturday (video)
TOMORROW: Curt Smith with Zoë Keating at Largo at the Coronet
VOTE: Has technology like the mp3 and iTunes killed the album format?
SILENT SUNDAY: Alex Chilton